“Rzewski’s anti-establishment thinking stood at the center of his music-making throughout his life. It was evident in the experimental, agitprop improvisations he created in the 1960s with the ensemble Musica Elettronica Viva; in ‘Coming Together,’ the Minimalist classic inspired by the Attica prison uprising; and a vast catalog of solo piano works, several of which have become cornerstones of the modern repertoire.” – The New York Times
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