“‘What we learned in the crisis was that the public purse was very much willing to keep [opera] alive in Germany,’ says Dieter Haselbach, a German cultural sociologist and consultant. ‘But in the long run the state-funded system covers a structural crisis which is an oversupply of theaters and opera houses, with [growing] competition from digital performances.'” – The Christian Science Monitor
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Germany Takes Care Of Its Opera Houses, Even Through COVID — But There’s A Problem
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